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Tales of King Arthur: King Arthur and the Round Table (Books of Wonder), by Hudson Talbott

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From School Library Journal

Grade 2-4?Talbott began retelling Sir Thomas Malory's Morte D'Arthur with King Arthur: The Sword in the Stone (Morrow, 1991). This sequel contains roughly three episodes. The first is that of the civil wars raging through Britain. Arthur fights, views the desolation, and asks Merlin how to unify his people. The second is his fateful meeting with Guinevere, his love for her, and finally their marriage. The third section concerns the Round Table, but ends after Arthur assembles his knights around it and their names magically appear on the backs of their chairs. There is no lingering on the peace-bringing quality that roundness supplies. The rich watercolor tableaux, predominantly double-page spreads, paint war as bloody and painful, not all glorious. The love scenes glow golden. The Round Table, huge and decorated with the signs of the zodiac, exhibits its power more than the words do. Overall, this is a rousing addition to the current pickings of Arthurian stories.?Helen Gregory, Grosse Pointe Public Library, MICopyright 1995 Reed Business Information, Inc.

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About the Author

In His Own Words... "Children's book authors have to be among the luckiest people in the world. Not only am I paid to do what I love most, but I get to do it without having to grow up. More accurately, the seven-year-old I Hudson is no longer relegated to an ever-receding file in the memory bank hut is once again out-front, fully engaged, sometimes even calling the shots in an active collaboration with Lis adult counterpart. "I'll always be grateful for the solid, all-American upbringing I was given in the suburbs of Louisville, Kentucky, but going to school in Rome was a revelation for me. After graduating from Tyler School of Art in Rome, I extended my education by wandering through Europe, settling in Amsterdam for a few years, and then moving to Hong Kong, where I dabbled in the fashion industry. My travels eventually continued through Southeast Asia and culminated with four magical months in Bali. I finally reached New York, fulfilling a childhood ambition, in 1974. Although my original intent was to become a painter, the free-lance illustration work I picked tip to support myself soon predominated as my primary art form. Pursuing my vision in this direction eventually led to writing and illustrating children's books. I had always told stories with pictures. I began to paint with words. "My series of picture books on the Arthurian legends represents the most ambitious and challenging opportunity that I've ever accepted. Called the central myth of Western civilization by philosopher Joseph Campbell, the Arthurian legends have been evolving over a 1,500 year period, along the way gathering tip and expressing our concepts of love, honor, and courage. Only within the last century have they taken the form of adventure novels for younger readers, and I know of no other attempt to compile the entire cycle into a series of picture books until now. The sheer scale of the material-the vast array of characters and the complexity of their relationships-is beyond Dickens or even "Days of Our Lives." "The curious occurrence that I've experienced as I've delved deeper through the layers of allegory in my research is that as the underlying truth is revealed to me, I'm not only learning something new about the fine art of storytelling but usually something about myself as well. The first three books, for example, are about Arthur coming into his greatness. In the first book it is thrust upon him by accident of his birth, and in the second he achieves it through his own actions. Finally, in the third, he comes to realize the greatness inherent within himself, as it is within all of us. It is the kind of greatness that finds expression when we finally accept ourselves and embrace the roles open to us in lifewhether it is that of king, gardener, parent, or children's book author. "My gratitude is boundless for all those who have Supported my creative progress and believed in me long before I believed in myself. By recognizing that writing and illustrating books for young readers is, in fact, my calling, I can serve a greater purpose than fulfilling my own needs. I am reminded of what I heard a blues singer once say: "Talent is God's gift to you. What you do with it is your gift to Him."

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Product details

Age Range: 8 and up

Grade Level: 3 - 4

Series: Books of Wonder

Hardcover: 48 pages

Publisher: Morrow Junior Books; First Edition edition (September 27, 1995)

Language: English

ISBN-10: 0688113400

ISBN-13: 978-0688113407

Product Dimensions:

9 x 0.2 x 11 inches

Shipping Weight: 1 pounds

Average Customer Review:

4.7 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#493,340 in Books (See Top 100 in Books)

My children love the stories of King Arthur, Camelot, and his Knights. Hudson Talbott's writing and the gorgeous illustrations which accompany each story are remarkable. His "Tales of King Arthur" stories have quickly become story time favorites at our home. My son has asked to use the illustrations in these stories as a basis to reprint his room, so that it looks "like Camelot and Avalon look".If you like King Arthur, and want to see those legends told in a truly remarkable way, you need to get the three "Tales of King Arthur" books (King Arthur and the Round Table, Excalibur, and The Sword in the Stone), as well as the accompanying book, "Lancelot".

My youngest Grandson loves it! Ron

Each of the books in this collection by Hudson Talbott is excellent. My 5 year old son developed an interest in knights after a visit to Medieval Times. From there, he discovered King Arthur and the Knights of the Round Table. Of the many books we have on this topic, there are the best written. The illustrations are wonderful. I highly recommend the entire collection.

Very beautiful illustrations that add so much to the story! Every page is a work of art.

Great book!

I'm honestly very surprised to see that there are (at the time of this review) no other recommendations written for this wonderful book, as that usually means that people aren't compelled to write about it - or haven't had the chance to get hold of it. Hudson Talbott's King Arthur series (beginning with "The Sword in the Stone" and continuing on with "Excalibur") are excellent introductions for the younger reader to the legends of King Arthur and the dense mythology that surrounds him.Though it may be a tad complicated for younger readers, with the subtleties of romance and the strategies of war explored in reasonable detail, it is still great Arthurian reading for the older ones, especially in Talbott's touching insecurity of Arthur as he struggles to lead men who: "have *grandsons* older than me!" Talbott's early Arthur is a delight - nervous, love-struck, inexperienced, and yet brave, determined, fiery in battle and devoted to his cause. Often authors downplay either Arthur's strengths or his weaknesses, but Talbott finds the perfect balance between the two, and as such presents the quintessential Arthur."King Arthur and the Round Table" chronicles several crucial events in the young king's life - his skirmishes with rebel kings that reject his claim to the throne, his fateful meeting with his future queen Guinevere, and the founding of Camelot and the Round Table. It is obviously the middle-installment of a trilogy as it neither begins anything nor resolves anything, yet it is gloriously illustrated and loyally told - though with a few original flourishes of Talbott's own.At a stage when most authors are attempting to find increasingly "new" takes on the Arthurian stories, Talbott is refreshingly traditionalist in his portrayal of people and places; presenting it all through rose-coloured glasses as a fully romanticised Golden Age of the medieval era. Everyone here is as you'd expect them to be, from Merlin in his purple robes and conical hat to Arthur himself; a heroic vision in gold and red, with a white steed and shining sword - every little boy's dream of medieval magnificence. Likewise it's easy to see why Arthur was so immediately smitten with golden-haired, sweet-faced Guinevere. The Round Table is the perfect vision of unity and mystery, and as for Camelot itself...it's simply glorious, as captured by Talbott in the evening light.Only battle is appropriately portrayed as bloody and tragic, with darkened (through exciting) scenes of combat and sieges, resulting in a gory scene of the post-battlefield. This however is perhaps Talbott's most beautiful picture, considering the vision of Guinevere aiding the wounded by the lakeshore, watched from afar by Arthur. It is a heartbreakingly poignant scene if one is aware of their future together, and though their meeting is an original creation by Talbott, it feels so *right* in both its innocence and foreshadowing.I mentioned before that other authors are going to increasing lengths to create new ways of telling the Arthurian stories, and one that often pops up is the conflict between Christianity and Paganism. Talbott has an answer for this too; in another of his gorgeous two-page vistas we see the marriage of Arthur and Guinevere, awash in golden light and flanked by a Catholic priest with a crucifix and Merlin with an oak branch. It is stunning scene of hope and peace, where differing religions, genders and kingdoms are presumed to be in harmony, not conflict.The more I discuss it the more I realise that this is a simply gorgeous book, and must-have for any young Arthurian fan.

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